第16章
- The Duchesse de Langeais
- Honore De Balzac
- 1017字
- 2016-03-09 11:26:05
There came a moment when she discerned that not until a woman is loved will the world fully recognise her beauty and her wit.
What does a husband prove? Simply that a girl or woman was endowed with wealth, or well brought up; that her mother managed cleverly that in some way she satisfied a man's ambitions.Alover constantly bears witness to her personal perfections.Then followed the discovery still in Mme de Langeais's early womanhood, that it was possible to be loved without committing herself, without permission, without vouchsafing any satisfaction beyond the most meagre dues.There was more than one demure feminine hypocrite to instruct her in the art of playing such dangerous comedies.
So the Duchess had her court, and the number of her adorers and courtiers guaranteed her virtue.She was amiable and fascinating; she flirted till the ball or the evening's gaiety was at an end.Then the curtain dropped.She was cold, indifferent, self-contained again till the next day brought its renewed sensations, superficial as before.Two or three men were completely deceived, and fell in love in earnest.She laughed at them, she was utterly insensible."I am loved!" she told herself."He loves me!" The certainty sufficed her.It is enough for the miser to know that his every whim might be fulfilled if he chose; so it was with the Duchess, and perhaps she did not even go so far as to form a wish.
One evening she chanced to be at the house of an intimate friend Mme la Vicomtesse de Fontaine, one of the humble rivals who cordially detested her, and went with her everywhere.In a "friendship" of this sort both sides are on their guard, and never lay their armour aside; confidences are ingeniously indiscreet, and not unfrequently treacherous.Mme de Langeais had distributed her little patronising, friendly, or freezing bows, with the air natural to a woman who knows the worth of her smiles, when her eyes fell upon a total stranger.Something in the man's large gravity of aspect startled her, and, with a feeling almost like dread, she turned to Mme de Maufrigneuse with, "Who is the newcomer, dear?""Someone that you have heard of, no doubt.The Marquis de Montriveau.""Oh! is it he?"
She took up her eyeglass and submitted him to a very insolent scrutiny, as if he had been a picture meant to receive glances, not to return them.
"Do introduce him; he ought to be interesting.""Nobody more tiresome and dull, dear.But he is the fashion."M.Armand de Montriveau, at that moment all unwittingly the object of general curiosity, better deserved attention than any of the idols that Paris needs must set up to worship for a brief space, for the city is vexed by periodical fits of craving, a passion for engouement and sham enthusiasm, which must be satisfied.The Marquis was the only son of General de Montriveau, one of the ci-devants who served the Republic nobly, and fell by Joubert's side at Novi.Bonaparte had placed his son at the school at Chalons, with the orphans of other generals who fell on the battlefield, leaving their children under the protection of the Republic.Armand de Montriveau left school with his way to make, entered the artillery, and had only reached a major's rank at the time of the Fontainebleau disaster.In his section of the service the chances of advancement were not many.
There are fewer officers, in the first place, among the gunners than in any other corps; and in the second place, the feeling in the artillery was decidedly Liberal, not to say Republican; and the Emperor, feeling little confidence in a body of highly educated men who were apt to think for themselves, gave promotion grudgingly in the service.In the artillery, accordingly, the general rule of the army did not apply; the commanding officers were not invariably the most remarkable men in their department, because there was less to be feared from mediocrities.The artillery was a separate corps in those days, and only came under Napoleon in action.
Besides these general causes, other reasons, inherent in Armand de Montriveau's character, were sufficient in themselves to account for his tardy promotion.He was alone in the world.He had been thrown at the age of twenty into the whirlwind of men directed by Napoleon; his interests were bounded by himself, any day he might lose his life; it became a habit of mind with him to live by his own self-respect and the consciousness that he had done his duty.Like all shy men, he was habitually silent; but his shyness sprang by no means from timidity; it was a kind of modesty in him; he found any demonstration of vanity intolerable.
There was no sort of swagger about his fearlessness in action;nothing escaped his eyes; he could give sensible advice to his chums with unshaken coolness; he could go under fire, and duck upon occasion to avoid bullets.He was kindly; but his expression was haughty and stern, and his face gained him this character.In everything he was rigorous as arithmetic; he never permitted the slightest deviation from duty on any plausible pretext, nor blinked the consequences of a fact.He would lend himself to nothing of which he was ashamed; he never asked anything for himself; in short, Armand de Montriveau was one of many great men unknown to fame, and philosophical enough to despise it; living without attaching themselves to life, because they have not found their opportunity of developing to the full their power to do and feel.
People were afraid of Montriveau; they respected him, but he was not very popular.Men may indeed allow you to rise above them, but to decline to descend as low as they can do is the one unpardonable sin.In their feeling towards loftier natures, there is a trace of hate and fear.Too much honour with them implies censure of themselves, a thing forgiven neither to the living nor to the dead.