第15章

"You see, my friend, all is a snare to the unhappy; the smallest matter brings the sick mind back to its woes; but the greatest evil of certain woes is the persistency which makes them a fixed idea pervading our lives. A constant sorrow ought rather to be a divine inspiration. You love flowers for themselves, whereas I love them as I love to listen to fine music. So, as I was saying, the secret of a mass of things escapes me. You, my old friend, you have a passion,--that of the horticulturist. When you return to town inspire me with that taste, so that I may rush to my greenhouse with eager feet, as you go to yours to watch the development of your plants, to bud and bloom with them, to admire what you create,--the new colors, the unexpected varieties, which expand and grow beneath your eyes by the virtue of your care.

"My greenhouse, the one I watch, is filled with suffering souls.

The miseries I try to lessen sadden my heart; and when I take them upon myself, when, after finding some young woman without clothing for her babe, some old man wanting bread, I have supplied their needs, the emotions their distress and its relief have caused me do not suffice my soul. Ah, friend, I feel within me untold powers --for evil, possibly,--which nothing can lower, which the sternest commands of our religion are unable to abase! Sometimes, when I go to see my mother, walking alone among the fields, I want to cry aloud, and I do so. It seems to me that my body is a prison in which some evil genius is holding a shuddering creature while awaiting the mysterious words which are to burst its obstructive form.

"But that comparison is not a just one. In me it seems to be the body that seeks escape, if I may say so. Religion fills my soul, books and their riches occupy my mind. Why, then, do I desire some anguish which shall destroy the enervating peace of my existence?

"Oh, if some sentiment, some mania that I could cultivate, does not come into my life, I feel I shall sink at last into the gulf where all ideas are dulled, where character deteriorates, motives slacken, virtues lose their backbone, and all the forces of the soul are scattered,--a gulf in which I shall no longer be the being Nature meant me to be!

"This is what my bitter complainings mean. But do not let them hinder you from sending me those flowers. Your friendship is so soothing and so full of loving kindness that it has for the last few months almost reconciled me to myself. Yes, it makes me happy to have you cast a glance upon my soul, at once so barren and so full of bloom; and I am thankful for every gentle word you say to one who rides the phantom steed of dreams, and returns worn-out."

At the end of the third year of his married life, Graslin, observing that his wife no longer used her horses, and finding a good market for them, sold them. He also sold the carriages, sent away the coachman, let the bishop have his man-cook, and contented himself with a woman.

He no longer gave the monthly sum to his wife, telling her that he would pay all bills. He thought himself the most fortunate of husbands in meeting no opposition whatever to these proceedings from the woman who had brought him a million of francs as a dowry. Madame Graslin, brought up from childhood without ever seeing money, or being made to feel that it was an indispensable element in life, deserved no praise whatever for this apparent generosity. Graslin even noticed in a corner of the secretary all the sums he had ever given her, less the money she had bestowed in charity or spent upon her dress, the cost of which was much lessened by the profusion of her wedding trousseau.

Graslin boasted of Veronique to all Limoges as being a model wife. He next regretted the money spent on the house, and he ordered the furniture to be all packed away or covered up. His wife's bedroom, dressing-room, and boudoir were alone spared from these protective measures; which protect nothing, for furniture is injured just as much by being covered up as by being left uncovered. Graslin himself lived almost entirely on the ground-floor of the house, where he had his office, and resumed his old business habits with avidity. He thought himself an excellent husband because he went upstairs to breakfast and dined with his wife; but his unpunctuality was so great that it was not more than ten times a month that he began a meal with he; he had exacted, out of courtesy, that she should never wait for him.

Veronique did, however, always remain in the room while her husband took his meals, serving him herself, that she might at least perform voluntarily some of the visible obligations of a wife.

The banker, to whom the things of marriage were very indifferent, and who had seen nothing in his wife but seven hundred and fifty thousand francs, had never once perceived Veronique's repugnance to him. Little by little he now abandoned Madame Graslin for his business. When he wished to put a bed in the room adjoining his office on the ground- floor, Veronique hastened to comply with the request. So that three years after their marriage these two ill-assorted beings returned to their original estate, each equally pleased and happy to do so. The moneyed man, possessing eighteen hundred thousand francs, returned with all the more eagerness to his old avaricious habits because he had momentarily quitted them. His two clerks and the office-boy were better lodged and rather better fed, and that was the only difference between the present and the past. His wife had a cook and maid (two indispensable servants); but except for the actual necessities of life, not a penny left his coffers for his household.

Happy in the turn which things were now taking, Veronique saw in the evident satisfaction of the banker the absolution for this separation which she would never have asked for herself. She had no conception that she was as disagreeable to Graslin as Graslin was repulsive to her. This secret divorce made her both sad and joyful. She had always looked to motherhood for an interest in life; but up to this time (1828) the couple had had no prospect of a family.