第14章
- The City of Domes
- John D. Barry
- 2798字
- 2016-03-03 16:30:20
In the South GardensThough the arrangement of the landscape might be French, these flowers were unmistakably Californian.The two pools, ornamented with the Arthur Putnam fountain of the mermaid, in duplicate, decidedly French in feeling, were brilliant with the reflected coloring from both the flowers and the buildings.
The intention at first had been to make a sunken garden here; but the underground construction had interfered.Now one might catch a suggestion of Versailles, except for those lamp posts."Joseph Pennell, the American etcher, who has traveled all over Europe making drawings, finds a suggestion of two great Spanish gardens here, one connected with the royal palace of La Granga, near Madrid, and the other with the royal palace of Aranjuez, near Toledo.They've allowed the flowers to be the most conspicuous feature, the dominating note, which is as it should be.
Masses of flowers are always beautiful and they are never more beautiful than when they are of one color.""And masses of shrubbery are always beautiful, too,", I said, nodding in the direction of the Palace of Horticulture, where McLaren had done some of his best work.
"There's no color in the world like green, particularly dark green, for richness and poetry and mystery.It's intimately related to shadow, which does so much for beauty in the world.""The Fountain of Energy almost hits you in the face, doesn't it?" Isaid.
"Of course.That's exactly what Calder meant to do.In a way he was right.He wanted to express in sculpture the idea of tremendous force.
Now his work is an ideal example of what is expositional.It has a sensational appeal.One objection to it is that it suggests too much energy, too much effort on the part, not only of the subject, but of the sculptor.The artist ought never to seem to try.His work ought to make you feel that it was easy for him to do.But here you feel that the sculptor clenched his teeth and worked with might and main.As a matter of fact, he did this piece when he must have been tired out from managing all the sculpture on the grounds.He made two designs.The first one, which was not used, seemed to me better because it was simpler in the treatment of the base.Even the figures at the base here are over-energized, the human figures I mean.Still, in their sportiveness and in the sportiveness of Roth's animals, they have a certain charm.And with the streams spouting, the work as a whole makes an impression of liveliness.But it's a nervous liveliness, characteristically American, not altogether healthy."The Fountain of Energy and the Tower of Jewels, we decided, both expressed the same kind of imagination.Like the fountain, the tower gave the sense of overstrain."It's pretty hard to see any architectural relation between those figures up there on the tower and the tower itself.See how the mass tries to dominate Kelham's four Italian towers, but without showing any real superiority."The heraldic shields on the lamp posts near by attracted us both by their color and by the variety and grace of their designs.How many visitors stopped to consider their historic character? They went back to the early history of the Pacific Coast.For this contribution alone Walter D'Arcy Ryan deserved the highest recognition.Only an artist could have worked out this scheme in just this sensitive and appropriate way.